Synthesizer App For iOS
This four-voice polyphonic Model 15 app, which is both an educational tool as well as a musical instrument, mimics the original (primarily monophonic) Model 15, and offers much more besides.
Last year I had the opportunity to play the Moog System 55, System 35 and Model 15 while they were sitting next to each other and discovered that, while all sounded fabulous, there was something a bit special about the Model 15. Unfortunately, it’s a small system that lacks much of the flexibility and capabilities of its larger siblings so, while I may have preferred its underlying sound, there were many times when I was unable to do what I wanted with it. But today, the four-voice polyphonic Model 15 app, which is being offered as an educational tool as well as a musical instrument, mimics the original (primarily monophonic) Model 15, and offers much more besides.
You only have to look at the Controller Outputs section of the synth’s CP-15B module (which now offers three CV outputs for each of pitch, modulation, velocity and aftertouch) to see that it’s going to be a much more flexible and expressive beastie than the original. Scrolling down, you’ll also find an extra row of modules including two additional bi-polar voltage-controlled attenuators, two dual-in/out amplifiers, and a ping-pong delay with CV control of time, feedback and mix. Alongside these, you’ll find a four-channel Audio Bridge module that allows Model 15 to access audio from other iOS apps so that you can use it as a signal processor, and to send audio to other apps, allowing them to process or record the output from the synth. Alongside this, there’s a MIDI Bridge that provides six 14-bit MIDI inputs and outputs, and the two modules together provide a wealth of connectivity.
The extension cabinet also includes an audio recorder. It’s not a multitrack, but you can overdub using different sounds for each layer which, if your playing and timing is good enough, allows you to build quite sophisticated pieces that you can then share as WAV files. In fact, you have to share them or lose them — the audio is stored in a buffer that’s cleared when you close the app.The Moog 921 can act as a remarkably flexible audio-frequency oscillator and audio-frequency modulator, or as a voltage-controlled LFO.
The new app is available now for an introductory price of $4.99 and, to celebrate, all Moog Apps are on sale for a limited time: Model 15 ($14.99), Animoog iPad ($4.99), Animoog iPhone ($1.99), Filtatron ($1.99). This four-voice polyphonic Model 15 app, which is both an educational tool as well as a musical instrument, mimics the original (primarily monophonic) Model 15, and offers much more besides. Last year I had the opportunity to play the Moog System 55, System 35 and Model 15 while they were sitting next to each other and discovered that, while.
By the time that Model 15 was announced, I had already programmed many patches for it on my iPad Air and, although it was still being refined while I was working with it, I found the GUI to be clear and well thought out. Details such as how many fingers were needed to carry out certain operations were updated, tried, and updated again until Moog’s engineers were happy that it was as pleasant and efficient to use as possible. My only remaining gripe is that many of the modulation controls and amplifiers are scaled such that the most useful range lies between zero and just a tad more than zero, which means that you have to have very steady fingers, even when using the fine movement shortcut. Indeed, I often found myself using two attenuators to force a modulation signal down to the amplitude I wanted and, without the ones in the second cabinet, many of the sounds I was developing wouldn’t have been possible. What’s more, I sometimes found that Model 15 lacks sufficient mixers, as do almost all pre-populated modular synths. I know that, until people start using these synths in anger, they prefer to see more oscillators, filters, and other sexy modules installed within them, but they soon find that a lack of mixers can be rather limiting. I wonder whether we could persuade Moog to add another row of modules containing nothing but mixers and VCAs?
In addition to the two cabinets, Model 15 offers four additional pages accessed by tabs found to the right of the console. These include a polyphonic keyboard that emulates velocity and pressure sensitivity using front-to-back position and by sliding your finger on the key (respectively), plus an Animoog keyboard that adds side-to-side expression to this. If you don’t have access to a well-equipped master keyboard, you can use these to surprisingly good effect. There’s also a highly specified arpeggiator that, in addition to the usual octave range and direction controls, allows you to program things such as pitch offsets, velocity offsets, gate length offsets, and more. Consequently, if you just arpeggiate a single note, you can use this as an eight-step sequencer. Finally, there’s an emulation of the Moog 1150 ribbon controller that generates two CVs with Gates, all of which you can patch into your sounds via the CP-15B.
So how does it sound? The answer, as you would hope, is that it sounds damn good. I’m not sure that it has the rawness of a genuine Model 15 (in fact, I’m fairly confident that it doesn’t), but it has a strong character that it imposes upon almost everything that it does. This may or may not be to your advantage. If you allow the synth to channel your sound design, it will guide you down the same paths as a genuine Moog modular: muscular lead synth and bass sounds, powerful effects, and fascinating arpeggiated patches. If you ask it to step beyond those boundaries, life becomes harder but it’s worth it. I spent a lot of time persuading it to imitate orchestral instruments, polyphonic keyboards and percussion, and the results were sometimes more than satisfying. Model 15 is an instrument that will reward the time and effort you spend on it, although you may (like me) become greedy and wish that its polyphony were greater.
Nobody can accuse Moog Music of ignoring any sector of the synthesizer market. From the most expensive synths currently on offer to some of the most affordable apps on the market, the company cover all the bases. Costing just £23$30 (which is 0.3 percent the cost of the $10,000 Model 15 hardware, which lacks all of the extra modules and controllers), the Model 15 app is eminently affordable. For the price of a large pizza and a bottle of something fizzy, it’s far too much fun not to try.
£22.99
Audio MIDI Setup User Guide
If you use MIDI devices or a MIDI interface connected to your Mac, you can use Audio MIDI Setup to describe the configuration of your MIDI devices. There’s a default configuration already created, but you can set up your own.
You can use this configuration information for apps that work with MIDI, such as sequencers, to control your MIDI devices.
Note: Make sure your MIDI devices are connected to your Mac. If you’re using an interface device, connect any other MIDI devices you’re using to the interface. Also check that any software provided by the manufacturer of the MIDI devices has been installed. For more information, see the documentation that came with your devices.
View a MIDI configuration
- In the Audio MIDI Setup app on your Mac, choose Window > Show MIDI Studio.
- In the MIDI Studio window, click the Choose MIDI Configuration pop-up menu (it may show Default), then choose the configuration you want to view.
- In the toolbar, click the following buttons to change how the configuration is shown:
- Show Icon View : Devices in the configuration are shown as icons. If a device isn’t connected, its icon is dimmed. To view information about a device, such as channel properties and ports, and to add or remove ports, double-click the device’s icon.
- Show List View : Devices in the configuration are shown in a list, organized by type (such as Interface or External Device). If a device isn’t connected, it’s dimmed. To filter which devices are shown, click the Show pop-up menu, then choose an option (such as Online or Connected). To view information about a device, double-click the device. To view its ports, or to connect or disconnect devices, click the device’s disclosure triangle.
Create a MIDI configuration
- In the Audio MIDI Setup app on your Mac, choose Window > Show MIDI Studio.
- In the MIDI Studio window, click the Choose MIDI Configuration pop-up menu (it may show Default), then choose New Configuration.
- Enter a name for the new configuration, then click OK.
- https://yellowbc.weebly.com/how-to-close-app-in-mac.html. To add a new external MIDI device, click the Add button in the MIDI Studio toolbar.
- Kids coloring app mac desktop. To set properties and add or remove ports for the MIDI device, double-click the device, or select it, then click the Device Info button in the toolbar.
- In the Properties window, do any of the following:
- Describe the device: Enter a name for the MIDI device; the name appears in apps you use with the device. If you know the manufacturer and model, you can enter those.
- Change the device icon: Click the MIDI device’s icon to open the Icon Browser, select a different icon to represent the device, then click the new icon to close the Icon Browser.
- Change the device color: Click the color well, select a different color to use for the MIDI device, then close the Colors window.
- Set the device channels and other properties: Click Properties, then click the channels to use for transmitting and receiving audio. To deselect a channel, click it again. Also select whether to use the MIDI Beat Clock, the MIDI Time Code, or both, then select other features.
- Add or remove ports: Click Ports, click the Add button below the list of ports, then specify the MIDI In and MIDI Out connectors for the port. To delete a port, select it in the list, then click the Remove button .
- Select MIDI-CI profiles for interface devices: If an interface device supports MIDI-CI, click MIDI-CI to see the profiles available on each channel. To turn a profile on or off, select or deselect its checkbox.
- Click Apply.
- Repeat steps 4 through 7 for each MIDI device you want to include in the configuration.
- In the MIDI Studio window, specify the connection between MIDI devices:
- In Icon View , drag the In or Out connectors at the top of a device icon to the corresponding connector on another device icon.
- In List View , click a device’s disclosure triangle, click the Port disclosure triangle, click the Add Connection icon, then use the pop-up menus to specify the connections.
If you have a MIDI interface connected to the USB port on your Mac, it should appear in the MIDI Studio window. If it doesn’t, see If a connected MIDI device isn’t shown.
You can’t specify a “MIDI thru” connection between two MIDI devices. To indicate a MIDI thru connection, connect the two MIDI devices to the same port of the MIDI interface device.
Edit a MIDI configuration
How To Use Moog Model 15 App With Macbook
- In the Audio MIDI Setup app on your Mac, choose Window > Show MIDI Studio.
- In the MIDI Studio window, click the Choose MIDI Configuration pop-up menu (it may show Default), then choose Edit Configurations.
- Select a configuration, then click Duplicate, Rename, or Delete.
- How to remove photos from photos app on mac. When you’re finished making changes, click Done.
How To Use Moog Model 15 App With Mac Pro
See alsoTest your MIDI connection in Audio MIDI Setup on MacMIDI Studio window in Audio MIDI Setup on MacIf an audio device isn’t working in Audio MIDI Setup on MacIf a MIDI device is dimmed in Audio MIDI Setup on MacIf a MIDI app isn’t using the configuration in Audio MIDI Setup on Mac